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![African American barbershop [unidentified]](http://collections.anacostia.si.edu/media/postagestamps/20037063364.jpg)
African American barbershop [unidentified]

Annie Brooks Evans, wearing a hat, fur stole and muff

Children's Department, School of Music, Howard University

Children's Department, School of Music, Howard University

Children's Department, School of Music, Howard University

Eliza Brooks

Faculty portrait, Armstrong Manual Training School

Full-length group portrait, men and women sitting on lawn, Robert Russa Moten and Wilson Bruce Evans, in the front row.

Full-length portrait, little boy wearing a hat

Full-length portrait, little girl wearing a hat and muff standing on chair
African American barbershop [unidentified]
Annie Brooks Evans, wearing a hat, fur stole and muff
Children's Department, School of Music, Howard University
Children's Department, School of Music, Howard University
Children's Department, School of Music, Howard University
Eliza Brooks
Faculty portrait, Armstrong Manual Training School
Full-length group portrait, men and women sitting on lawn, Robert Russa Moten and Wilson Bruce Evans, in the front row.
Full-length portrait, little boy wearing a hat
Full-length portrait, little girl wearing a hat and muff standing on chair
Madame Lillian Evanti seated on train in Europe.
n.d.
Donor: Evans-Tibbs Collection
7 x 5 in. (17.8 x 12.7 cm)
1 photographic print : gelatin silver
Evans-Tibbs Collection, Anacostia Community Museum, Smithsonian Insititution, Gift of the Estate of Thurlow E. Tibbs, Jr.
The Evans-Tibbs Collection focuses on the life and accomplishments of opera singer, Madame Lillian Evanti. Born Annie Lillian Evans (1890-1967) to a prominently middle-class family in Washington, DC, she began performing as a child and toured as a concert artist after graduating from Howard University. Her father was Wilson Bruce Evans, founding principal of Armstrong Technical High School. Her mother, Annie Brooks Evans, was a music teacher in the public school system. Hiram Revels, the first African American senator, was her great-uncle; her maternal grandfather, Joseph Brooks, served in the D.C. Territorial Legislature in the 1870s; two relatives are attributed with taking part in John Brown's raid on Harper's Ferry. In 1918, she married Roy Tibbs, Howard University music professor. Her stage name, Madame Evanti, is a glamorous combination of Evans and Tibbs.
Madame Evanti made her professional debut with the Paris Opera in the title role of Lakmé, making her the first African American to sing with an organized European opera company. Before her retirement in the 1950s, Evanti would win acclaim for her operatic talents in Europe, South America, Africa, and the Caribbean. She was decorated by several countries, sung at the White House, served as a Good Will Ambassador, performed with the National Negro Opera Company, and gained national attention as a composer.
Inventory Number: PH2003.7063.061
n.d.
Donor: Evans-Tibbs Collection
7 x 5 in. (17.8 x 12.7 cm)
1 photographic print : gelatin silver
Evans-Tibbs Collection, Anacostia Community Museum, Smithsonian Insititution, Gift of the Estate of Thurlow E. Tibbs, Jr.
The Evans-Tibbs Collection focuses on the life and accomplishments of opera singer, Madame Lillian Evanti. Born Annie Lillian Evans (1890-1967) to a prominently middle-class family in Washington, DC, she began performing as a child and toured as a concert artist after graduating from Howard University. Her father was Wilson Bruce Evans, founding principal of Armstrong Technical High School. Her mother, Annie Brooks Evans, was a music teacher in the public school system. Hiram Revels, the first African American senator, was her great-uncle; her maternal grandfather, Joseph Brooks, served in the D.C. Territorial Legislature in the 1870s; two relatives are attributed with taking part in John Brown's raid on Harper's Ferry. In 1918, she married Roy Tibbs, Howard University music professor. Her stage name, Madame Evanti, is a glamorous combination of Evans and Tibbs.
Madame Evanti made her professional debut with the Paris Opera in the title role of Lakmé, making her the first African American to sing with an organized European opera company. Before her retirement in the 1950s, Evanti would win acclaim for her operatic talents in Europe, South America, Africa, and the Caribbean. She was decorated by several countries, sung at the White House, served as a Good Will Ambassador, performed with the National Negro Opera Company, and gained national attention as a composer.
Inventory Number: PH2003.7063.061




